Our goal is to create a permanent contemporary playwriting and production laboratory. 

Our work focuses on the research around the poetical body of the actor and his lively need of expression; a body that becomes Word, and then poetry, the perfect synthesis of idea and experience. 

 

We think that theatrical language is always actual and unreplaceable, as actual and unreplaceable is our present time, It doesn't just represent the 'hic et nunc', but from the very beginning it was also a breeding ground of progress. In fact, for centuries the Scene has been the place where new ideas, words and technologies have been thought and developed. That's why we want to preserve this tradition of 'betray the tradition', leaving an open mind to other languages and expressive means. 

 

Finally, we value the relevance of our cultural background as well as the human pursuit of knowing other cultures and sensibilities. This is the real fuel of creativity, the empty space between two strangers.